Carmen Panizzo

Born in 09.12.1983 in Treviso, Italy

Currently lives and works in Berlin, Germany and in Treviso, Italy

STUDY

2008 Diploma of first level, Thesis: Let it play, Reflections on the ludic approach, related by Riccardo Caldura,

2002/2003 - 2006/2007 Academy of Fine Arts in Venice, Italy, Study of Painting (Diploma of 4 years),

2004/2005 Erasmus Academy of Fine Arts in Barcelona, Spain, Study of Painting,

1996/1997- 2000/2001 Art Gymnasium in Treviso, Italy.

SOLO SCHOWS

2009 “Tessuto sensibile”, Sartè space for art and design, Vittorio Veneto (IT)

SELECTIONS OF GROUP SCHOWS

2009 “1-2”, curated by Ommo Wille, Kunst und Aktionsraum Schillerpalais, Berlin,(DE);

2008 “The Drama Club Changes”, curated by the Drama Club and Vittoria Ranghieri Nìke, Villa Orsini, Scorzè,

Venice,(IT);

“Artefatto2008, Blitz estetico”, Villa Revoltella, Trieste,(IT);

“Re:pubblic Refusés! La risposta è pubblica”, curated by Amerigo Nuotolo, Tese di San Cristoforo, Venice,

“Traiettorie liquide”, preview project Accadè2008, curated by Attivarte, Giulia Ceschel and Morena Schiffo,

Fondazione Bevilacqua la Masa, S. Marco, Venice, (IT);

2007 Academy of Fine Arts in Venice, Atelier Martelli-Bendini,(IT);Performer for “In Margine sospeso” Performance of Chiara Zucchetti with the dance-group Jennifer-Rosa,in the Jarach Gallery, during the art event “Accadè 2007”, Venice, (IT);

2006 Performer for “Performance per coro onomatopeico” of ChiaraZucchetti, Atelier Viola, in the Academy of

Fine Arts in Venice, (IT);

2005 Academy of Fine Arts in Barcelona, end of year show, (SP);

CURATORIAL PROJECT

2004Thinking up and planning with Giorgia Scremin, of “Progetto Scocco” urban, collective anonym action, in Treviso, (IT);

2008“ Quarto let it play“ curated, Organized, and taking part with a wall installation in the plural event, (music,Theatre, dance and poem), Quarto d’Altino, Venice, (IT);

The exploration it’s for me really important, of the technique and of the material, as of the sense and of the meanings, as well the own or world’s exploration. With my personal technique I’ m trying to translate something impossible to translate. I bring back undefined journey’s fragments, undefined because they are always moving and transforming them self. That’s journey’s memory it’s blend with dream or better with imaginary. The remainder’s memory can be the trace of a personal’s or social’s journey. I find these tracks of mutations in the ruins, in the publics’ works, in the demolitions or reconstructions. I translate them in a collage of fragments, in soft and shapeless forms, because them can not be defined, they are memory’s trace covered and weaved of the “thread-narrator”. Actually the thread it’s for me at same time means of technique and object-medium. From my firsts works, I used it like a continuous line in the drawings and in the paintings for translate what I still feeling like an unremitting fluidity, that it’s at same time journey and trace, Exploration in becoming.